Edward Weston

American, 1886–1958

Dunes, Oceano, 1936

Gelatin silver contact print, mounted to board
7.5 x 9.5 in. (19.05 x 24.13 cm.)
Frame: 17 x 19 x 1 in. (43.18 x 48.26 x 2.54 cm.)
Mounted, initialed and dated by the photographer in pencil on the mount recto; stamped in ink with the print number from the portfolio on mount verso

Printed circa 1952
Brett Weston under supervision of Edward Weston, prntr.

Lot ID

142534
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Susanna Wenniger
Head Of Photographs

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Lot Details

About This Lot

Edward Weston photographed the California sand dunes powerful graphic contrasts defined by piercing bright sunlight and deep, sinuous shadow. This stark contrast in Dunes reveals Weston’s incredible attention to detail and masterful printing. The photograph represents the artist’s craft of abstracting natural beauty in warm black and white.

Edward Weston (American, 1886–1958) is widely considered as one of Americas most revered 20th century photographers, best known for his portraits, nudes, and still lifes. In his travels throughout the American west, Weston devoted his photographic attention to the natural landscape, masterfully capturing organic forms and textures with astonishing detail and nostalgia. Weston received the first Guggenheim Fellowship for Photography, accepting in 1937. Weston’s photography was the subject of a major retrospective at The Museum of Modern Art New York in 1946. Upon Weston’s death in 1958, the Smithsonian Institute displayed 100 of Weston’s photographs in the exhibition "The World of Edward Weston".

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Publication:
  • Amy Conger, Edward Weston Photographs from the Collection of the Center for Creative Photography, (Tucson, AZ: Center for Creative Photography, 1992), fig. 943.
The seller has recorded the following condition for this lot:
Please contact Amelia Wilson at awilson@artnet.com to receive the condition report for this lot.

Definition Key
Area
Image The central image area, composition, or focal point; the area inside the margins/plate marks.
Margin Areas bordering the central image, outside the plate marks, or the perimeter area.
Edge The farthest edge of the object.
Verso The reverse/back of the object.



Degree
Minor An existing condition which generally does not involve risk of loss.
Moderate Noticeable damage, increasing in severity and/or size; should be monitored or corrected by a conservator.
Major Distinct, recognizable damage; the stability of the work is questionable and risk is a factor. Requires the attention of a conservator.
Extreme Advanced and severe damage; work is insecure and at great risk.

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Provenance:
  • Private Collection, California
  • Private Collection, New York
  • Ships From: New York, USA
  • Shipping Dimensions: 17 x 19 x 1 in. (43.18 x 48.26 x 2.54 cm.)
  • Frame Material: Wood
  • Framed Under: Plexi
Accepted: Wire Transfer
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