Peter Beard

American, 1938–2020

Veruschka von Lehndorff Rhino Roping, 1960

Gelatin silver print with paint and collaged elements

31.5 x 23.62 in. (80 x 60 cm.)
Frame: 39.37 x 31.5 x 1.57 in. (100 x 80 x 4 cm.)
Signed and inscribed on recto

Printed later
Unique

Lot ID

142529
Ending
Estimate

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Susanna Wenniger
Head Of Photographs

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Lot Details

About This Lot

Peter Beard was an American photographer best known for his documentary images of Africa arranged in unique photo collages that combine painting, drawing, and text. Part documentarian, part activist, Beard’s work captured the plight of a continent succumbing to industrialization. “The wilderness is gone,” the artist had said, “and with it much more than we can appreciate or predict. We'll suffer for it.” Born on January 22, 1938 in New York, NY the artist and diarist was educated at Yale University, studying art history with the famed abstract painter Josef Albers. After moving to Africa in the 1960s, Beard began to catalog the demise of elephants and rhinoceroses in Kenya’s Tsavo National Park. In 1975, while living in Nairobi, Beard spotted a beautiful university student named Iman. The photographer later brought her to New York, launching her career as a supermodel. Over the course of his career he collaborated with Andy Warhol, Richard Lindner, Francis Bacon, and others. Sadly, Beard died in April 2020 at the age of 82 after disappearing from his Long Island home and was found after an extensive, 19-day search effort.

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The seller has recorded the following condition for this lot:
Please contact Amelia Wilson at awilson@artnet.com to receive the condition report for this lot.

Definition Key
Area
Image The central image area, composition, or focal point; the area inside the margins/plate marks.
Margin Areas bordering the central image, outside the plate marks, or the perimeter area.
Edge The farthest edge of the object.
Verso The reverse/back of the object.



Degree
Minor An existing condition which generally does not involve risk of loss.
Moderate Noticeable damage, increasing in severity and/or size; should be monitored or corrected by a conservator.
Major Distinct, recognizable damage; the stability of the work is questionable and risk is a factor. Requires the attention of a conservator.
Extreme Advanced and severe damage; work is insecure and at great risk.

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Provenance:
  • Acquired from the artist’s studio in 2001
  • Private Collection, St. Barts
  • Ships From: Saint Barthelemy
  • Shipping Dimensions: 39.37 x 31.5 x 1.57 in. (100 x 80 x 4 cm.)
  • Frame Material: Wood
  • Framed Under: Glass
Accepted: Wire Transfer
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